Originally from Venezuela, Arnías currently lives and works in the Hyde Park neighborhood of Boston. He uses 16mm film to visualize everyday life, investigating the conceptual layers of neighborhood, wilderness, borders, and boundaries through the lens of race, immigration, and identity. Subjects range from his home life, where his family participates in the making of his films, to contested social spaces for communities of color in Boston, to street life in Brazil, Senegal, Venezuela, and elsewhere.
The solo exhibition Slow Loops presents two recent films by Arnías, Bisagras (2024) and Noise Cloud (work in progress), in addition to sculpture and drawings that illuminate the films’ thematic connections. Bisagras, is an impressionistic experience of Arnías’s visits to the House of Slaves in Gorée Island, Senegal, and the port of Salvador de Bahia, Brazil, major sites of the transatlantic slave trade where the artist imagines his ancestors’ history. Noise Cloud is an experimental film that Arnías started during the pandemic, finding inspiration in the shared spaces of public parks and how they became heightened grounds for protest, partying, and leisure across racial lines in a time of crisis. The two films come together in his enduring study of Black life in all of its exuberance and expansiveness, as well as the slow and ongoing effects of structural racism, colonization, and the slave trade across locations, contexts, and time.
