Welcome to Cosmologyscape

  • February 26, 2026 - June 26, 2026
Cosmologyscape explores dreaming as a personal and collective act of liberation, an ephemeral yet deeply lived practice of imagining otherwise.
About

The name Cosmologyscape weaves together cosmos, the interconnectedness of all things, and landscape, the terrain we inhabit and observe. Through this worldview that is both spiritual and grounded, artists Alisha B Wormsley and Kite have co-created the cosmologyscape methodology to offer space for communal dreaming and the development of tools that move across time, worlds, and possibilities.

Emerging from gatherings organized by the artists in 2020 with Black and Indigenous communities to dream and heal collectively, the participatory process includes retreats and workshops for dreamers to reflect on the structure and development of individual and communal dream practices and ancestral traditions; the Cosmologyscape website which invites contributions of individual dreams to be translated into digital quilt squares using symbolic systems informed by Lakȟóta philosophy, Afrofuturism, and Black quilting traditions; and multidisciplinary artworks, including mosaics, textiles, digital animation, furniture and sound, that build upon these symbolic systems and utilize computational methods to design spaces of rest and collective imagination.

Cosmologyscape is grounded in ethical technological protocols that seek to preserve good relationships to communities, land, water, air, and future generations. Free, prior, and informed consent is foundational to the artists’ data governance plan. Utilizing dreamers’ data with intention, the artists gather, clean, manage, and destroys their information, working against data harvesting that can potentially harm communities through surveillance and environmental impact. Dreamers receive in return restorative offerings in the form of an herbal and tea recipes that address their dreams and dreaming practice. Cosmologyscape continues to evolve across digital and physical realms to explore the power of dream work, acknowledging that the right to rest, dream, and share knowledge is unevenly shaped and conditioned by race, class, place, and circumstance.

A dimly lit room with visitors relaxing on couches and cushions, watching a colorful, patterned projection on the wall. Blankets and pillows surround them, creating a cozy atmosphere.

Boston-area dreamers are invited to share their dreams through the Cosmologyscape website, contributing to new works that continue to evolve this communal practice.

Submit your dream.
At Wagner Gallery

For this version of Cosmologyscape, Wormsley & Kite were invited to reflect on their methods of dreaming and making. This new body of work expands their research through a series of interconnected forms: a contextual diagram created with design studio Omnivore; furniture co-produced with Indigenous students from the University of Manitoba; and a “dream office” inviting visitors to rest, reflect, and enter the imaginative space of the project.

In partnership with the Wagner Gallery’s commitment to investing in artists’ visions, Kite and Wormsley are supported through a research grant by Wagner Foundation to work deeply within Boston-area communities to co-create a dream retreat and 2026 Summer Solstice public day of dreaming to envision a repeatable, rooted model for community-based dreamwork and technological collaboration.

Artists

A person with curly dark hair, wearing large hoop earrings and a bright red turtleneck, looks directly at the camera against a plain gray background.
Photo by Alisha B Wormsley

Alisha B Wormsley (Pittsburgh, PA) is an interdisciplinary artist and cultural producer whose work exists at the intersections of public art, film, craft and social practice. Her work transforms public space and collective imagination through projects rooted in liberated futures, ritual, and community care. She is the founder of Sibyls Shrine: a residency for Black artists who M/other, creator of There Are Black People in the Future, co-creator of Cosmologyscape with artist Kite exploring the power of collective dreaming. Her newest film-in-process, Children of NAN: A Survival Guide—which presents tutorials and survival strategies for future Black femmes while exploring their relationship to ritual, craft, and the natural world—has been awarded the Anonymous Was A Woman/NYFA Award, a Pittsburgh Foundation grant, and the Sundance Interdisciplinary Grant. Wormsley is a 2022 Guggenheim Fellow and is an Assistant Professor of Art in Social Practice at Carnegie Mellon University.

More about Alisha B Wormsley.

A woman with long brown hair wearing a black off-the-shoulder top stands in a field of pink and purple flowers, looking directly at the camera with a neutral expression.
Photo by Thacher Keats

Kite (Oglála Lakȟóta) is an artist, composer, and scholar whose work merges Lakȟóta knowledge systems with performance, sound, sculpture, and computational media. She holds a PhD from Concordia University, Montréal. Kite is Director of the Wíhaŋble S’a Center for Indigenous AI, a National Endowment for the Humanities–designated Humanities Research Center at Bard College, where she is Distinguished Artist in Residence and Assistant Professor of American & Indigenous Studies. She is also Co-PI and Co-Director of the international Abundant Intelligences Research Program. Major projects include Cosmologyscape (Creative Time, 2022–24), Dreaming with AI (Institute of American Indian Arts Museum of Contemporary Native Arts, 2025), List Projects 31: Kite (MIT List Visual Arts Center, 2025), and Wičháȟpi Owihaŋke Waníča Kiŋ (Infinite Collapsing Star) (Bockley Gallery, 2025). Her work has been featured internationally at the Whitney Biennial, São Paulo Biennial, and the 14th Shanghai Biennale. Kite is an enrolled citizen of the Oglala Sioux Tribe and lives in Catskill, NY. Artificial Intelligences research conducted by Mark Meagher, Faculty of Architecture, University of Manitoba, Parker Prince – Sandy Bay Ojibway First Nation, Abundant Intelligences Research Assistant, and Jory Thomas – Red River Michif (Manitoba Métis Federation), Abundant Intelligences Research Assistant.

More about Kite.

Two people view a vibrant mural in a gallery. The mural shows a smiling woman holding a glowing light bulb, surrounded by colorful and dynamic artistic elements on a black wall.
“From The Page To The Stage” exhibition in Wagner Gallery. Photo: OLP Creative

About Wagner Gallery

Wagner Gallery displays rotating art exhibitions by local, national, and internationally renowned contemporary visual artists whose work addresses the role of art in civic life.

Past exhibitions